Description: These “critico-practical” editions by Charles-Marie Widor and Dr. Albert Schweitzer have been a mainstay of organ literature since their publication in 1912. The eight volumes are indexed by the type of composition and offer extensive observations, based on historical evidence and traditional performance, on topics such as registration, ornamentation, and phrasing. A fundamental component of the organist's library.
Volume 1 Contents: Fantasie in C • Prelude and Fugue in C minor • Fugue in C minor • Allabreve in D • Toccata in Four Divisions in E • Fantasie in G • Prelude in G • Fantasie in G • Fugue in G • Fugue in G • Prelude and Fugue in G • Prelude and Fugue in G minor • Fantasie and Fugue in A minor • Prelude and Fugue in A minor • Prelude in A minor • Fantasia con Imitatione in B minor • Fugue in B minor.
Description: These “critico-practical” editions by Charles-Marie Widor and Dr. Albert Schweitzer have been a mainstay of organ literature since their publication in 1912. The eight volumes are indexed by the type of composition and offer extensive observations, based on historical evidence and traditional performance, on topics such as registration, ornamentation, and phrasing. A fundamental component of the organist's library.
Volume 2 Contents: Eight Little Preludes and Fugues (C Major, D minor, E minor, F Major, G Major, G minor, A minor, Bb Major) • Toccata and Fugue in C • Prelude and Fugue in C • Prelude in C • Prelude and Fugue in D • Canzona in D minor • Prelude and Fugue in D minor • Toccata and Fugue in D minor • Pastorale in F • Fugue in G minor.
Description: These “critico-practical” editions by Charles-Marie Widor and Dr. Albert Schweitzer have been a mainstay of organ literature since their publication in 1912. The eight volumes are indexed by the type of composition and offer extensive observations, based on historical evidence and traditional performance, on topics such as registration, ornamentation, and phrasing. A fundamental component of the organist's library.
Volume 3 Contents: Prelude and Fugue in C • Prelude and Fugue in C • Prelude and Fugue in C minor • Fantasie and Fugue (Fragment) in C minor • Prelude and Fugue in C minor • Prelude (Toccata) and Fugue in D minor • Prelude and Fugue in E Flat • Prelude and Fugue in E minor • Prelude and Fugue in E minor.
Description: These “critico-practical” editions by Charles-Marie Widor and Dr. Albert Schweitzer have been a mainstay of organ literature since their publication in 1912. The eight volumes are indexed by the type of composition and offer extensive observations, based on historical evidence and traditional performance, on topics such as registration, ornamentation, and phrasing. A fundamental component of the organist's library.
Volume 4 Contents: Prelude (Toccata) and Fugue in F • Prelude and Fugue in F Minor • Prelude and Fugue in G • Prelude (Fantasia) and Fugue in G Minor • Prelude and Fugue in A • Prelude and Fugue in A Minor • Prelude and Fugue in B Minor • Passacglia et Thema fugatum in C Minor.
Description: These “critico-practical” editions by Charles-Marie Widor and Dr. Albert Schweitzer have been a mainstay of organ literature since their publication in 1912. The eight volumes are indexed by the type of composition and offer extensive observations, based on historical evidence and traditional performance, on topics such as registration, ornamentation, and phrasing. A fundamental component of the organist's library.
Volume 5 Contents: Concerto I in G • Concerto II in A Minor • Concerto III in C • Concerto IV in C • Sonata I in E Flat • Sonata II in C Minor • Sonata III in D Minor • Sonata IV in E Minor • Sonata V in D • Sonata VI in G • Trio in D Minor.
Description: These “critico-practical” editions by Charles-Marie Widor and Dr. Albert Schweitzer have been a mainstay of organ literature since their publication in 1912. The eight volumes are indexed by the type of composition and offer extensive observations, based on historical evidence and traditional performance, on topics such as registration, ornamentation, and phrasing. A fundamental component of the organist's library.
Volume 6: 77 harmonizations and miscellaneous compositions on 50 well-known chorales. Also, table of Bach's most important ornaments, and specifications of the organs at his disposal.
Description: These “critico-practical” editions by Charles-Marie Widor and Dr. Albert Schweitzer have been a mainstay of organ literature since their publication in 1912. The eight volumes are indexed by the type of composition and offer extensive observations, based on historical evidence and traditional performance, on topics such as registration, ornamentation, and phrasing. A fundamental component of the organist's library.
Volume 7: 66 miscellaneous compositions on 56 chorales from “The Little Organ Book”. This volume illustrates the working of chorales in every style, as well as instruction in the use of the pedal.
Description: These “critico-practical” editions by Charles-Marie Widor and Dr. Albert Schweitzer have been a mainstay of organ literature since their publication in 1912. The eight volumes are indexed by the type of composition and offer extensive observations, based on historical evidence and traditional performance, on topics such as registration, ornamentation, and phrasing. A fundamental component of the organist's library.
Volume 8: Bach's last works comprise these 34 compositions, ranging from the six chorale-preludes (taken from cantatas such as “Wachet auf, ruft uns die Stimme”) to the remarkable partitas of the chorale variations. Also extended commentary on ornamentation in Bach's organ compositions.
Description: Three selections from Bach's The Well-Tempered Clavier have been “tampered” with to produce unique and fantastic jazz arrangements. For late intermediate to advanced brass quintet.
Description: Contents: Prelude & Fugue in A • Prelude & Fugue in A Minor • Prelude & Fugue in A Flat • Prelude & Fugue in B Minor • Prelude & Fugue in B Flat • Prelude & Fugue in B Flat Minor • Prelude & Fugue in B • Prelude & Fugue in C • Prelude & Fugue in C Minor • Prelude & Fugue in C# • Prelude & Fugue in C# Minor • Prelude & Fugue in D Minor • Prelude & Fugue in D • Prelude & Fugue in D# Minor • Prelude & Fugue in E Flat • Prelude & Fugue in E Minor • Prelude & Fugue in E • Prelude & Fugue in F • Prelude & Fugue in F Minor • Prelude & Fugue in F# • Prelude & Fugue in F# Minor • Prelude & Fugue in G • Prelude & Fugue in G Minor • Prelude & Fugue in G# Minor.
Description: The basis for the musical text was Henle's revised edition of Part I published in 1997 and Yo Tomita's revision of Part II (Spring 2007). A detailed commentary rounds off the editions. Both parts of the Well-Tempered Clavier are also available as Henle Urtext editions with fingerings (HN 14) and as study edition without fingerings (HN 9014).
Description: The basis for the musical text was Henle's revised edition of Part I published in 1997 and Yo Tomita's revision of Part II (Spring 2007). The eminent Bach scholar Tomita discusses the complicated source situation of Part II in an extensive preface. A detailed commentary rounds off the edition. Both parts of the Well-Tempered Clavier are also available as Henle Urtext editions without fingerings (HN 16) and as study editions without fingerings (HN 9016).
Description: A creative pairing of J.S. Bach's “Sheep May Safely Graze” and the familiar carol “While Shepherds Watched Their Flocks”. The optional two flutes will enhance the performance; or add a string quartet for a “beautifully baroque” moment this Christmas! Available: SAB, 2-Part, Instrumental Pak, ChoirTrax Cassette.
Description: Choral preludes and famous movements from cantatas and sonatas by Johann Sebastian Bach, in classical arrangements for piano by this great pianist.
